Cultic Cultures
This feature on the hazards of group affiliation and the unquestioning embrace of apparently deviant epistemologies, was published in Art Monthly issue 404, March 2017.
Cultic Cultures
This feature on the hazards of group affiliation and the unquestioning embrace of apparently deviant epistemologies, was published in Art Monthly issue 404, March 2017.
Here Comes a New Challenger
Here Comes a New Challenger was an exhibition featuring video interviews relating to the 2D arcade game Street Fighter II and the closure of two key London game arcades, Trocadero and Casino.
Here Comes a New Challenger
Here Comes a New Challenger was an exhibition featuring video interviews relating to the 2D arcade game Street Fighter II and the closure of two key London game arcades, Trocadero and Casino.
Simeon Barclay: They Don’t Like it Up ‘Em
For his first solo exhibition in London, Leeds-based multidisciplinary artist Simeon Barclay presented They Don’t Like It Up ‘Em.
Simeon Barclay: They Don’t Like it Up ‘Em
For his first solo exhibition in London, Leeds-based multidisciplinary artist Simeon Barclay presented They Don’t Like It Up ‘Em.
Manon de Boer: An Experiment in Leisure
For her solo exhibition at Cubitt Gallery, Manon de Boer presented An Experiment in Leisure, a compelling new 16mm film work exploring the link between free time and creativity, between leisure and the kind of imaginative contemplation it facilitates.
Manon de Boer: An Experiment in Leisure
For her solo exhibition at Cubitt Gallery, Manon de Boer presented An Experiment in Leisure, a compelling new 16mm film work exploring the link between free time and creativity, between leisure and the kind of imaginative contemplation it facilitates.
Martine Syms: The Easy Demands
This review of Martine Syms’s solo exhibition at Sadie Coles HQ, titled ‘The Easy Demands’ was published on Art Agenda, February 2017
Martine Syms: The Easy Demands
This review of Martine Syms’s solo exhibition at Sadie Coles HQ, titled ‘The Easy Demands’ was published on Art Agenda, February 2017
Right Shift
This feature on the end of Post-Internet art was published in Art Monthly issue 387, 2015
Right Shift
This feature on the end of Post-Internet art was published in Art Monthly issue 387, 2015
Louisa Martin: Technical Rehearsal for a Lossless Body
Following research in the fields of atypical perception, the neuroscience of embodiment, and autism, London-based multidisciplinary artist Louisa Martin staged an immersive installation at Cubitt Gallery.
Louisa Martin: Technical Rehearsal for a Lossless Body
Following research in the fields of atypical perception, the neuroscience of embodiment, and autism, London-based multidisciplinary artist Louisa Martin staged an immersive installation at Cubitt Gallery.
A Public Resource
Part research tool and part forum, A Public Resource transformed Cubitt Gallery into the setting for the dissemination and support of progressive ideas and nonconformist energies.
A Public Resource
Part research tool and part forum, A Public Resource transformed Cubitt Gallery into the setting for the dissemination and support of progressive ideas and nonconformist energies.
Daria Martin: At the Threshold
This review of Daria Martin’s ‘At the Threshold’ was published on Art-Agenda, March, 2016.
Daria Martin: At the Threshold
This review of Daria Martin’s ‘At the Threshold’ was published on Art-Agenda, March, 2016.
Dean Blunt
Dean Blunt’s solo exhibition at Cubitt Gallery used formal signifiers of redevelopment and metropolitan security systems designed to repel passersby at close proximity.
Dean Blunt
Dean Blunt’s solo exhibition at Cubitt Gallery used formal signifiers of redevelopment and metropolitan security systems designed to repel passersby at close proximity.
Smile Orange
‘Smile Orange’ was a group exhibition of painting, photography and video works that explored dynamics of identity formation (and their reliance on history and memory) from a personal, communal and national perspective.
Smile Orange
‘Smile Orange’ was a group exhibition of painting, photography and video works that explored dynamics of identity formation (and their reliance on history and memory) from a personal, communal and national perspective.
Software, Hard Problem
‘Software, Hard Problem’ was a group exhibition that broadly explored artists use of software to surmount aesthetic, philosophical or theoretical problems.
Software, Hard Problem
‘Software, Hard Problem’ was a group exhibition that broadly explored artists use of software to surmount aesthetic, philosophical or theoretical problems.
Naoshima Art Island
This survey of contemporary art museums on Japan’s Naoshima Island was published in Art Monthly issue 393, February, 2016.
Naoshima Art Island
This survey of contemporary art museums on Japan’s Naoshima Island was published in Art Monthly issue 393, February, 2016.
Fear Of Missing Out
This report on the ICA’s ‘Fear of Missing Out’ conference, was published in Art Monthly, 388, July 2015.
Fear Of Missing Out
This report on the ICA’s ‘Fear of Missing Out’ conference, was published in Art Monthly, 388, July 2015.
Letter From Cape Town
‘Letter From Cape Town’, a collaborative project connecting South Africa and the UK, was a one day exhibition that took place on 2 August, 2015.
Letter From Cape Town
‘Letter From Cape Town’, a collaborative project connecting South Africa and the UK, was a one day exhibition that took place on 2 August, 2015.
Simeon Barclay: Where Did It All Go Wrong?
Taking place on 5 July, 2015, ‘Where Did It All Go Wrong?’, was a one-day solo exhibition of work by Leeds-based artist Simeon Barclay.
Simeon Barclay: Where Did It All Go Wrong?
Taking place on 5 July, 2015, ‘Where Did It All Go Wrong?’, was a one-day solo exhibition of work by Leeds-based artist Simeon Barclay.
Surface Tension
This review of the group exhibition ‘Surface Tension’ at White Rainbow gallery London, was published on Art Agenda in September, 2015.
Surface Tension
This review of the group exhibition ‘Surface Tension’ at White Rainbow gallery London, was published on Art Agenda in September, 2015.
Speaking Back
This review of the group exhibition Speaking Back at Goodman Gallery, Cape Town, was published on Art Agenda in May 2015.
Speaking Back
This review of the group exhibition Speaking Back at Goodman Gallery, Cape Town, was published on Art Agenda in May 2015.
Frances Stark: Sorry for the Wait
This review of Frances Stark’s solo show ‘Sorry for the Wait’ was published at Art Agenda, Jun 12, 2015
Frances Stark: Sorry for the Wait
This review of Frances Stark’s solo show ‘Sorry for the Wait’ was published at Art Agenda, Jun 12, 2015
Civil Rights: Northern Ireland and Black America
This essay on the reciprocity and interrelations of civil rights movements in Northern Ireland and Black American was published on the Frieze magazine blog, February, 2015
Civil Rights: Northern Ireland and Black America
This essay on the reciprocity and interrelations of civil rights movements in Northern Ireland and Black American was published on the Frieze magazine blog, February, 2015
Melvin Edwards
This review of Melvin Edwards’s exhibition at Stephen Friedman Gallery, London was published in issue 169 of Frieze magazine, March, 2015.
Melvin Edwards
This review of Melvin Edwards’s exhibition at Stephen Friedman Gallery, London was published in issue 169 of Frieze magazine, March, 2015.
Monoculture, who needs it?
This text was commissioned for, and originally published in, the degree show catalogue of Central St Martin’s 2014, Fine Art BA cohort.
Monoculture, who needs it?
This text was commissioned for, and originally published in, the degree show catalogue of Central St Martin’s 2014, Fine Art BA cohort.
Alice Khalilova: Broken Tusk
Curated as part of the curatorial collective DAM PROJECTS’ ‘Sunday School’ programme, ‘Broken Tusk’ was a one day solo exhibition of newly commissioned work from Anglo-Russian multimedia artist Alice Khalilova. It took place on Sunday 25 January, 2015.
Alice Khalilova: Broken Tusk
Curated as part of the curatorial collective DAM PROJECTS’ ‘Sunday School’ programme, ‘Broken Tusk’ was a one day solo exhibition of newly commissioned work from Anglo-Russian multimedia artist Alice Khalilova. It took place on Sunday 25 January, 2015.
Letter From New Orleans
Curated as part of the curatorial collective DAM PROJECTS ‘Letter From New Orleans’, was a single day exhibition that took place on 30 November 2014, looking at contemporary art and culture in New Orleans.
Letter From New Orleans
Curated as part of the curatorial collective DAM PROJECTS ‘Letter From New Orleans’, was a single day exhibition that took place on 30 November 2014, looking at contemporary art and culture in New Orleans.
Ed Fornieles: Modern Family
This review of Ed Fornieles’s solo exhibition at London’s Chisenhale gallery, entitled ‘Modern Family’ was published in Art Monthly issue 381, November 2014
Ed Fornieles: Modern Family
This review of Ed Fornieles’s solo exhibition at London’s Chisenhale gallery, entitled ‘Modern Family’ was published in Art Monthly issue 381, November 2014
Iniva: Fit For Purpose?
This essay on the state of the Institute of International Visual Arts was published in Art Monthly issue 380, 2014
Iniva: Fit For Purpose?
This essay on the state of the Institute of International Visual Arts was published in Art Monthly issue 380, 2014
Ann Hirsch: Playground
This review of Ann Hirsch’s debut play ‘Playground’ was published in Art Monthly issue 379, 2014
Ann Hirsch: Playground
This review of Ann Hirsch’s debut play ‘Playground’ was published in Art Monthly issue 379, 2014
Four 2014 Books on Art and the Internet
This review of four books on Art and the Internet appeared in Art Monthly issue 379 September 2014
Four 2014 Books on Art and the Internet
This review of four books on Art and the Internet appeared in Art Monthly issue 379 September 2014
Matthew Barney and Jonathan Bepler: River of Fundament
This review of River of Fundament was published at Art Review online, July 2014
Matthew Barney and Jonathan Bepler: River of Fundament
This review of River of Fundament was published at Art Review online, July 2014
Dean Blunt’s Urban and Clifford Owens
This review of Dean Blunt’s performance event ‘Urban’ and Clifford Owen’s exhibition at Manchester Cornerhouse ‘Better the Rebel You Know’ was published in Art Monthly, issue 377, June 2014.
Dean Blunt’s Urban and Clifford Owens
This review of Dean Blunt’s performance event ‘Urban’ and Clifford Owen’s exhibition at Manchester Cornerhouse ‘Better the Rebel You Know’ was published in Art Monthly, issue 377, June 2014.
Karen Mirza and Brad Butler: The Unreliable Narrator
This review of Karen Mirza and Brad Butler’s exhibition The Unreliable Narrator, at Waterside Contemporary Gallery, London, was published on ArtAgenda, June 2014.
Karen Mirza and Brad Butler: The Unreliable Narrator
This review of Karen Mirza and Brad Butler’s exhibition The Unreliable Narrator, at Waterside Contemporary Gallery, London, was published on ArtAgenda, June 2014.
Slavery on Film
This feature surveying the history of Slavery on Film in the 20th Century, was published in Frieze magazine, issue 162, April 2014
Slavery on Film
This feature surveying the history of Slavery on Film in the 20th Century, was published in Frieze magazine, issue 162, April 2014
Isaac Julien: Playtime
This review of Issac Julien’s exhibition PLAYTIME at Victioria Miro, London, was published in Frieze magazine, issue 162, April 2014
Isaac Julien: Playtime
This review of Issac Julien’s exhibition PLAYTIME at Victioria Miro, London, was published in Frieze magazine, issue 162, April 2014
